Joyce Ho
Born in 1983 in Taipei, Taiwan
Lives and works in Taipei
Joyce Ho received her M.A. in studio arts from the University of Iowa.In Ho’s artwork, she fluidly shifts between painting, sculpture, installation, and performance as she explores daily rituals and basic human interactions. Joyce Ho’s work examines the relationship between social behaviors (consumption, service, __, etc.) and the physical materiality of everyday objects.Through this deconstruction and repetition of fragmented slices of daily routines, she conveys the intimacy of our lives while also highlighting the sense of alienation we feel between ourselves and reality. Her works simultaneously envelop the audience, while also confronting them, as she strategically destabilizes the viewer’s perspective and modes of perception.Ho has exhibited internationally, including Phantasmapolis: NGV Triennial 2023, National Gallery of Victoria, Melbourne, Australia (2023), HYPER DIGITAL FORCES, Borusan Contemporary, İstanbul, Turkey (2023), SIFA 2023: The anatomy of performance - some people, The Arts House,Civic District, Singapore (2023), Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan (2021); Why Art Matters: Gallery Children's Biennale 2021, National Gallery Singapore, Singapore (2021); We Do Not Dream Alone: Asia Society Triennial, Asia Society Museum, New York, NY, U.S. (2021); Noire Lumière, How Art Museum, Shanghai, China (2020); Yokohama Triennale: Afterglow, Yokohama Museum of Art, Yokohama, Japan (2020); Meditations in an Emergency, UCCA Center for Contemporary Art, Beijing, China (2020); OzAsia Festival, Artspace Gallery, Adelaide Festival Centre, Adelaide, Australia (2019); NO ON: Joyce Ho Solo Exhibition, TKG+, Taipei, Taiwan (2019); 9th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery and Gallery of Modern Art, Brisbane, Australia (2018); Inhabiting the World, Busan Biennale, Busan Museum of Art, Korea (2014); and Everyday Life: Asian Art Biennale, National Taiwan Museum of Fine Arts, Taichung, Taiwan (2013).
何采柔
1983年生於台灣台北
現居住、工作於台北
台灣跨領域藝術家,加州大學國際關係學士,愛荷華大學藝術研究所碩士,除了繪畫、雕塑作品,自 2010 年亦開始嘗試編導工作。無論是以繪畫、裝置或表演的方式創作,何采柔的作品以局部分解的動作,探討社會行為(消費、服務、__等等)與日常物品的物質性之間的關係,通過對日常例行公事的碎片化解構和重複呈現,傳達了我們生活的親密性,同時也突顯了我們在自己與現實之間感到的疏離感。她的創作一方面包圍著觀眾,卻又與其保持對峙的狀態,讓日常的片刻成為了一道風景或儀式。重要展歷包括:「NGV 三年展 2023」(維多莉雅國家美術館,墨爾本,澳洲,2023);「HYPER DIGITAL FORCES」(博魯桑當代博物館,伊斯坦堡,土耳其,2023);「新加坡國際藝術節:表演的深度剖析 — 某些人」(The Arts House,新加坡市政區,新加坡,2023);「未至之城:亞洲藝術雙年展」(國立台灣美術館,台中,台灣,2021);「藝術為什麼重要:2021兒童雙年展」(新加坡國家美術館,新加坡,2021);「我們並非獨自做夢:亞洲協會三年展」(亞洲協會博物館,紐約,美國,2021);「暗光」(昊美術館,上海,中國,2020);「橫濱三年展:餘暉,捕捉光的碎片」(橫濱美術館,橫濱,日本,2020);「緊急中的沉思」(UCCA尤倫斯當代藝術中心,北京,中國,2020);「澳亞藝術節」(藝術空間畫廊,阿德雷德慶典中心,阿德雷德,澳洲,2019);「事故 NO ON:何采柔個展」(TKG+,台北,台灣,2019);第九屆亞太當代藝術三年展(昆士蘭藝術博物館與現代藝術博物館,布里斯本,澳洲,2018);「觀海中:釜山雙年展亞洲特別策劃展」(高麗制鋼水管工廠,釜山,韓國,2014);「返常:亞洲雙年展」(國立台灣美術館,台中,台灣,2013)等。